(new rooftop bar in Hell's Kitchen)
Pat and I had met eight years ago in our early twenties, teaching English in China. She was mourning the death of a close friend in a drowning accident, and I was mourning the completion of a three year business degree that I had no desire to use. There we found ourselves working for a dodgy Chinaman, eating boiled chicken’s feet and being treated like celebrities, all because of the colour of our skin. When we try and tell other about the craziness that goes on in China, they don't seem to care.
“I forget I can talk to you about this stuff,” Pat said. I sipped my martini staring out at the lights of Manhattan and thinking about skinned goats, when a large dark object fell from above and over the edge of the deck. It was about the size of a miniature grand piano, which I vainly hoped it was, but when people rushed over to the edge of the glass, they confirmed it was a person.
We were too short to see over the ledge, but the tall guy next to us said they had landed on the road in front of a cab – that had stopped just in time. People across the road were frozen in their tracks. Most got on their phones to call 911, and within two minutes we could hear and see sirens heading towards the hotel. On the rooftop, we all became instant buddies bonded by tragedy. We talked to one another about what we’d seen, and made facial expressions that read “eeek” and “how sad.”
The horrible thing was, when we looked up, we could clearly see where they would have jumped from. The penthouse was only one floor above, and set about 5 meters back, overlooking all the action in the bar. How long had they stood up there? How terrible that no one had seen them. Also, how did they propel them selves far enough to clear the bar area?
After a while my morbid curiosity won out against my fear of gore, and I asked one of the staff members near me if I could stand on the chair to have a look at the body.
“No. You’re not allowed,” he said, moving the chair away. Fair enough.
We waited before going downstairs, where staff ushered us out the side door. Police tape now surrounded the hotel, and in the distance flashing lights reflected off the white sheet that covered the body.
***
Later that night, in a different borough and after many a bar / much saki / vodka from teacups and random acts of dancing, we remembered the roof-top.
“You know 16 floors is not very high,” said Pat. “If you’re going to go, why not go skydiving and just not pull the shoot. That’s what I’d do.”
That was not a lie. Pat is a living poster child for a Pepsi-max commercial. As long as I’ve known her, she has always lived life "to the max." She's practically a full-time snowboarder, and since China she’s: studied film, been married, divorced, lived in Canada, NewZealand and Paris, and she’s younger than me. Currently she has a crush on her tattoo artist who designed a giant quill feather dripping in ink that spans her right rib cage and ends at her pelvic bone. (It actually looks rather elegant.)
Even that night, in the sushi restaurant which was empty and dead, she’d pointed to every single picture on the menu page and ordered one of each.
“I love picture menus!” she exclaimed, pointing to a picture of a saki flask.
It seems kind-of ironic that I took a someone so full of life to bar where another person decided to end theirs. But I'm glad I was with her, as we were able to turn the night around. Next year she plans to move here to study again. This time - jewellery design.


